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The Good Intent, Petersfield | live music Hampshire

January 22nd, 2012

The best place to perform live music in Petersfield is easily ‘The Good Intent’.

 

The Landlord and owner, Peter Sharman knows his music and supports local musicians by always booking and appreciating accomplished artists and bands on a Sunday evening.

 

Recent review from Peter at The Good Intent, Petersfield:

Pedro1968 ‎ - 19 Sep 2011

Pete Christie is a sensational solo performer - I have had the pleasure of watching him play live in my pub many times now and Pete generates an amazing atmosphere every time! I would recommend trying to catch him the next time he is playing – you won’t be disapointed!

 
 

Pete Christie is playing at The Good Intent on Sunday 22 January 2012 and again on Sunday 11 March 2012

Got a couple of new songs to share with the audience!

The Good Intent

40 – 46 College Street, Petersfield, Hampshire.

GU31 4AF
(01730) 263838

It’s a great place to play;  in a 16th Century coaching inn with Master Cellarman status and lots of good reviews on Tripadvisor for the restaurant and B&B.

FATEA review by Neil King | Pete Christie @ The Bricklayers Arms, Poole | nostalgia for a listening audience

January 9th, 2012

Pete Christie

Review: words and pictures Neil King, FATEA

Venue: The Bricklayers Arms
Town: Poole
Date: 6th January
Website: http://www.petechristie.co.uk/

It was a nostalgia ridden first gig of 2012, the first gig in what had been a stalwart venue of the music scene, The Bricklayer’s Arms, affectionately known to all, simply, as The Brickies, in some twenty odd years.

 

Back in the old days, the music used to be held in a hall out of the back. The toilets used to be outside and the smokers were inside. The hall has been demolished, the music now inside the main pub in a refurbished back bar, the toilets are now inside the pubs and the smokers are found outside.

Back then there were three pubs within a stone’s throw that did music, now there’s none. Tonight is a one off to celebrate the birthday of Harry, one of the bar staff. We do have a new music venue in the area, the wonderful Mr Kyps, but the days of doing a tour of Ashley Cross or even playing all three venues on the one night have long since gone, torpedoed by residents associations and anti-entertainment legislation.

 

One thing that is consistent is tonight’s performer, Pete Christie, he played The Brickies back in the heyday when if you wanted to get a fresh pint and it was raining, you got wet and whilst there was a certain amount of nostalgic longing in the pre-gig chatting, there was also a grudging gratitude for being in a warm and comfortable room, particularly as it was a party and there was food available.

 

Pete Christie is a singer/songwriter with a common touch, he has a knack for extracting a song from areas where other singer/songwriters fear to tread. It’s relatively easy to write songs around emotional events or the big political issues, more difficult to write about the more mundane, more difficult still to write about it in a way that holds the attention of the listener, Pete, has that talent.

 

He’s playing a long set which gives him the opportunity to test out new songs projected to appear on an album that Pete is going to be releasing this year. These are judiciously mixed with more familiar songs from his extensive repertoire, including a number of requests shouted from the audience, some of which are no longer included on his current set list.

 

 

Blues and singer/songwriter classics from the likes of early Fleetwood Mac also form part of the set as Pete seems to absorb himself in the music, just him and his guitar, being played in a number of different styles, including, briefly, as a lap guitar. Pete showcases himself not only as a man of words and melodies but also a consummate performer on the old six string.

 

The room isn’t as conducive to music as the old hall was, it’s part of a corridor for both the toilets and one of the smoking areas, fortunately Pete’s an old trooper when it comes to these sort of distractions and not detract from a highly enjoyable performance.

 

There was a sense of nostalgia about being back in the Brickies, but that really was eclipsed by the enjoyment of spending the time in the company of and listening to Pete Christie.

 

 Review: words and pictures Neil King, FATEA

****

PETE CHRiSTiE & DJ CONNiE @ THE BRiCKiES!

 

A free Birthday Bash for ‘Harry’ aka Chris, Bar Manager at The Bricklayers Arms, Poole

 

featuring singer-songwriter-guitarist Pete Christie performing live acoustic anglicana folk n roots

 

PLUS Solid Air/Larmer Tree resident Conrad Barr DJing before/after from 8pm till late, Fri 6th Jan, 2012

 

DJ Connie is workig on rcording a 6-disc lifetime archive box-set, due for launch late 2012…watch out for this amazing collection.

 

The Cellars at Eastney headline – love this place!

January 4th, 2012

 

Wednesday, January 25th 2012

pete christie
with special guests bemis

 

 

 

The Cellars

56 Cromwell Road
Southsea
Hampshire
PO4 9PN

 

 ** Tickets £6 Adv.

 

It is hard to recall how many South of England gigs and Festivals have featured Bemis and Pete Christie or Pete Christie and Bemis; enough times for Pete to be known as the ‘unofficial 5th member of Bemis’ and to appear on their recent albums.

It’s an easy relationship with a shared love of great music and beautiful harmonies, and totally natural stage chemistry.

 

The Cellars is home turf for Bemis in Southsea – (one of the best venues on the circuit, with a superb sound and a listening and appreciative audience), and Pete has appeared not only as a “guest” with them, but also with Derrin Nauendorf and most recently, Rory Ellis.

 

The Cellars has been an oasis for musicians over the years, and some great collaborations have been formed backstage, as this performance will no doubt prove!

 

  Facebook event

Gig Shouts

Express FM Country Music Show

BBC Introducing The South

     

 

 

 

 

 

 

Phil Jackson
BBC Introducing:
 The South
7-9pm Sunday evenings
BBC S
ussex and BBC Surrey & BBC Radio Solent
Listen in Brighton on 95.3 FM
Listen in Sussex & Surrey 104-104.8 FM
Listen in Solent & Hampshire on 96.1 FM
Listen in Dorset on 103.8 FM
Listen on-line
 www.bbc.co.uk/sussex
Listen on-line www.bbc.co.uk/surrey
Listen on-line www.bbc.co.uk/hampshire
Listen on-line www.bbc.co.uk/dorset

Linkedin recommendations 2011 “Thank you very much!”

January 1st, 2012

Pete Christie Linkedin

 

Redvers Bailey Promoter Half Moon London

hired Pete as a Musician many times since 2006

“I love Pete Christie. A great man, a great musician and songwriter.” October 12, 2011

Top qualities: Great Results, High Integrity, Creative

* * * *

Tim HeywoodPresenter & Producer, Journalist, Hope FM

“Pete is an entertaining performer, adapting either to an intensely listening audience (which he prefers – who wouldn’t) or to a busy, noisy pub crowd where he is the human jukebox sitting in the corner.
He’s lively and full of anecdotes, while the music can be haunting, engaging, slapstick and /or raucous, depending on mood, atmosphere and environment.
A Pete Christie concert is always memorable, enjoyable and good.” June 8, 2011

* * * *

Xan PhillipsBroadcaster and journalist, Xan Phillips

“It was a pleasure to interview Pete, he was very professional and gave some insightful answers to some tough questions. Of course the main reason to interview him was his songs which can still a room of chattering souls.” June 6, 2011

* * * *

Rebecca Fludgate ACIMDolfin Music, Gig guide, unsigned bands, live music event

“Pete Christie is a wonderfully talented acoustic singer/songwriter. I have watched him perform and written a review of his album “Frank”.” June 5, 2011

* * * *

Russell HillMusic article contributor, Maverick magazine

“I have interviewed Pete Christie for Maverick magazine and found him to be a downright, decent artist who knows how to pick a damn fine tune and sing like a God. If you want a great night of music, check out Pete Christie.” June 5, 2011

A rare occasion | Pete Christie Live @ The Cellar Bar

December 31st, 2011

Playing at The Cellar Bar turned out to be a real treat of a night with the launch of 2 new songs, a 3 hour set with great sound engineering by Andy Razz, a great review from Tim Heywood, Livewire Live Hopefm, some loyal fans and some new friends.

 

 

 

Tim Heywood’s Bournemouth Music Blog

Two Sets of An Evening With…

04 DEC 2011

by Tim Heywood in Chaplins & Cellar Bar Tags: Bournemouth, Music, 

My Sunday night started with “An Evening With….Blowing Your Cover” at the church tonight, as we prepare for our launch of this popular church training & equipping course. Afterwards dash over to The Cellar Bar, where Pete Christie is performing. Pete is my favourite performer; I consider him to be one of the absolute best on this circuit. A music session is more like An Evening With…Pete Christie, since the constructed songs are interspersed with both inane banter and insights into Pete’s life.

This starts as I walk in with digs at myself and another notable punter from the scene, before regaling us with a slight on a certain capo from a certain internet supplier. The capo broke 11 months after purchase and he’s heard diddly-squat from the firm. He then splurges into Dancing Diamonds. The next story is 5 minutes about a gig in Swindon, the only kebab shop open there at midnight, and a stool that’s just the right height for him, before he plays a short song from his Skavengers era about trouble, making much use of harmonics on the guitar.

I’ve previously referred to Pete as Magic-Fingered; while there hasn’t been much evidence of this so far, his voice is in fantastic form, as demonstrated by his high wails in staple Lost, which also provides for his first flicker-fingered instrumental break of the night. He next plays his version of Beeswing, which I’ve missed pretty much every other time I’ve seen him play due to walking in late. Its everything I’ve come to expect of Pete’s entertainment, and more…

Along the way, many of his songs are changed and mucked about on the spot; lots of seeming improvisation and spontaneous invention. After one cover he segues into a little instrumental involving the same chord progression, yet thowing in some slide action, even slipping into lap steel mode with the slide for a moment. Good stuff.

Video – Pete Christie by Conversion Live!

November 20th, 2011

 

Pete Christie from Conversion Live! on Vimeo.

A newcomer to the show, the power of one man and an acoustic guitar is undeniable. Playing finger-style guitar technique varying from near-silence to a multi-layered wall of sound.

Episode #7
CLive Garden Party 2011. On the lawns of Conversion Studios in Dorset, we hosted an intimate party celebrating the half-birthday of the Conversion Live webshow. This episode highlights 7 of the great acts that performed: The Paper Shades, Saturday Sun, Imber, Pete Christie, Fujalada, Jack Grace and Stop Go Sixty.

conversionlive a pioneering online monthly music show. Featuring intimate stripped down performances and exclusive interviews from both emerging and established artists

Fatea review – Master of Anglicana – Pete Christie album ‘Frank’

November 13th, 2011

 

 

Review

Pete Christie
Album: Frank
Label: Self Released
Tracks: 9
Website: http://www.petechristie.co.uk

When I was off on a trip recently I got talking about singer/songwriters and one name that came up was Dorset singer/songwriter, Pete Christie. Not long afterwards a contact through Facebook came up with the same name. It had been a while since I’d seen Pete perform live and it just seemed right to get out “Frank”, his most recent album and spend some time in his company.

Then came the big surprise, I didn’t actually have a copy of “Frank” which means that my knowledge of the works of Pete Christie come through his live performances and the occasional radio show that I’ve caught him on are what’s implanted his songs in my head, not a bad feat when you hear as much as I do.

So I felt it time to remedy that situation, so Pete, here’s a belated review of “Frank” I hope it’s served you well.

 

Pretty much every time I’ve seen Pete perform it’s just been him and a guitar, occasionally with a bass player in tow, so I wasn’t really expecting a band album. Having got over that shock it was time to give the album a really good listen.

The first thing you notice is the songs, without an iota of doubt it’s the poetry and music that highlight Pete as an outstanding writer. It’s the ability to hold your attention when singing about the everyday that separate the good from the great. It’s turning those observations into words and melodies that capture the imagination where genius lies.

 

Joining Pete on the album are a host of Dorset performers, including Frankie Milner, Aimee Newsome-Stone and Monique Houraghan, who have performed Pete’s songs over the years. Hearing the songs like this shows just how well they’ve been written, how they can sound so different and still impact you the same.

 

As Eric Morcombe famously said about notes, ‘I’m getting all the right notes, not necessarily in the right order.’ It’s the same with words, it’s not just what Pete says in his songs, it’s how he says it and more importantly what he doesn’t say.

 

“Frank” can mean straight forward and honest, not holding back. That sums up the album oh yes and the poetry and the melody. This is an album of songs that matter. Pete Christie is a master of Anglicana.

 

FRANK album cover

Neil King

Purbeck Folk Musician – a modern storyteller – he doesn’t play music, he creates it

November 6th, 2011

  - an audience review

Review by Katherine Knotts 29/09/2011

The Ship Inn, Langton Matravers, Isle of Purbeck, Dorset UK

Packaging Pete Christie is no easy task (in spite of the fact that modern notions of marketing and promotion seem to demand it), so when asked, how would I respond to the question “what does Pete Christie do?”

 

In the first instance, let’s leave to one side the temptation of making comparisons. They’re rarely precise, and less often useful. Moreover, it’s hard to imagine that the object of comparison ever wanted a box named after them.

So – here it is. On two occasions I have seen Pete play live. On each I was struck with two thoughts, and one question.

Thought One:
Pete is, above all things, a craftsman. His hammer and nails are notes and silences alike – building each melody in a unique percussive style. He doesn’t play music, he creates it. This isn’t nuance here folks – it’s a critical distinction. It’s also his joy. Never have I witnessed someone delight in the very art of making music quite as much as he so clearly does.

However, in a crowded market-place, technical brilliance is rarely enough. And so to:

Thought Two:
What clinches the deal is not his skill, but his soul. Pete – whether he realises it or not – is a modern storyteller. So deftly he assumes this mantle, the long memory that has been handed down from the folk greats of generations past. His music ripples with social, political, personal consciousness, and sensibility. He tells stories that need to be told – or perhaps more importantly – stories that need to be heard.

And so to the question – “what does the future hold?” Is what we’re hearing a dying art, or a fresh new take on the collective memory, cultural intelligence, and simple joy of this thing we call “Music”?

For my part, I do hope it’s the latter.

Testing out the new SoundCloud HTML5 beta widget

November 6th, 2011

popped culture review of PETE CHRISTIE ALBUM ‘FRANK’

October 7th, 2011

 

Defined by The Troubadour as a ‘powerfully melodic and intelligent, lyrically diverse and thought-provoking singer-songwriter’, great things were to be expected from my first listen of Pete Christie. Thankfully, I wasn’t disappointed. Residing in the Isle of Purbeck near Bournemouth, Christie is a true ambassador of the genres of Folk and Traditional music, writing honest and sincere lyrics which are lost with many of today’s modern singer songwriters.

Ranging from the stripped back beauty of ‘Just a Song’ to the full electric sound of ‘Easy Come, Easy Go’, Christie provides his listeners with a remarkable array of talent across a spectrum of 9 well crafted compositions. Every song features Christie’s signature simplistic guitar playing which lays the foundations for his plain spoken yet powerful lyrics, accompanied by the Band of the Royal British Legion Christchurch and his own backing band.

Inspired by his late mother who suffered from dementia, Christie speaks on his MySpace page of how she addressed him as ‘Frank’ which gave him the inspiration to produce the album. This is, indeed, evident throughout the entirety of the record; the emotion, integrity and sentiment found in each lyric presents his fondness and love for his mother. Certainly, his unique and mature writing style, met with lyrics which hold such depth, present a modern and somewhat ‘cool’ depiction of folk and traditional music; Christie truly is the epitome of what modern folk artists could only aspire to be.

His sincere arrangement of the Bob Dylan classic ‘Not Dark Yet’ clearly shows his sheer versatility as an artist; his individual interpretation illustrates a whole separate musical dimension to him and demonstrates his capabilities as an exceptional guitar player. Despite the open nature of ‘Frank’, the album proves slightly repetitive due to a lack of variety among songs; his pure simplicity, which often works in his favour, creates at times a rather tedious listen and each song is somewhat reminiscent of the last.

Criticisms aside, there is no doubt that Pete Christie has crafted a sheer masterpiece and his latest album proves to be a frank portrayal of an influential era in his life.

Review by popped culture