Posts Tagged ‘‘acoustic folk rock’’

FATEA review by Neil King | Pete Christie @ The Bricklayers Arms, Poole | nostalgia for a listening audience

January 9th, 2012

Pete Christie

Review: words and pictures Neil King, FATEA

Venue: The Bricklayers Arms
Town: Poole
Date: 6th January
Website: http://www.petechristie.co.uk/

It was a nostalgia ridden first gig of 2012, the first gig in what had been a stalwart venue of the music scene, The Bricklayer’s Arms, affectionately known to all, simply, as The Brickies, in some twenty odd years.

 

Back in the old days, the music used to be held in a hall out of the back. The toilets used to be outside and the smokers were inside. The hall has been demolished, the music now inside the main pub in a refurbished back bar, the toilets are now inside the pubs and the smokers are found outside.

Back then there were three pubs within a stone’s throw that did music, now there’s none. Tonight is a one off to celebrate the birthday of Harry, one of the bar staff. We do have a new music venue in the area, the wonderful Mr Kyps, but the days of doing a tour of Ashley Cross or even playing all three venues on the one night have long since gone, torpedoed by residents associations and anti-entertainment legislation.

 

One thing that is consistent is tonight’s performer, Pete Christie, he played The Brickies back in the heyday when if you wanted to get a fresh pint and it was raining, you got wet and whilst there was a certain amount of nostalgic longing in the pre-gig chatting, there was also a grudging gratitude for being in a warm and comfortable room, particularly as it was a party and there was food available.

 

Pete Christie is a singer/songwriter with a common touch, he has a knack for extracting a song from areas where other singer/songwriters fear to tread. It’s relatively easy to write songs around emotional events or the big political issues, more difficult to write about the more mundane, more difficult still to write about it in a way that holds the attention of the listener, Pete, has that talent.

 

He’s playing a long set which gives him the opportunity to test out new songs projected to appear on an album that Pete is going to be releasing this year. These are judiciously mixed with more familiar songs from his extensive repertoire, including a number of requests shouted from the audience, some of which are no longer included on his current set list.

 

 

Blues and singer/songwriter classics from the likes of early Fleetwood Mac also form part of the set as Pete seems to absorb himself in the music, just him and his guitar, being played in a number of different styles, including, briefly, as a lap guitar. Pete showcases himself not only as a man of words and melodies but also a consummate performer on the old six string.

 

The room isn’t as conducive to music as the old hall was, it’s part of a corridor for both the toilets and one of the smoking areas, fortunately Pete’s an old trooper when it comes to these sort of distractions and not detract from a highly enjoyable performance.

 

There was a sense of nostalgia about being back in the Brickies, but that really was eclipsed by the enjoyment of spending the time in the company of and listening to Pete Christie.

 

 Review: words and pictures Neil King, FATEA

****

PETE CHRiSTiE & DJ CONNiE @ THE BRiCKiES!

 

A free Birthday Bash for ‘Harry’ aka Chris, Bar Manager at The Bricklayers Arms, Poole

 

featuring singer-songwriter-guitarist Pete Christie performing live acoustic anglicana folk n roots

 

PLUS Solid Air/Larmer Tree resident Conrad Barr DJing before/after from 8pm till late, Fri 6th Jan, 2012

 

DJ Connie is workig on rcording a 6-disc lifetime archive box-set, due for launch late 2012…watch out for this amazing collection.

 

Fatea review – Master of Anglicana – Pete Christie album ‘Frank’

November 13th, 2011

 

 

Review

Pete Christie
Album: Frank
Label: Self Released
Tracks: 9
Website: http://www.petechristie.co.uk

When I was off on a trip recently I got talking about singer/songwriters and one name that came up was Dorset singer/songwriter, Pete Christie. Not long afterwards a contact through Facebook came up with the same name. It had been a while since I’d seen Pete perform live and it just seemed right to get out “Frank”, his most recent album and spend some time in his company.

Then came the big surprise, I didn’t actually have a copy of “Frank” which means that my knowledge of the works of Pete Christie come through his live performances and the occasional radio show that I’ve caught him on are what’s implanted his songs in my head, not a bad feat when you hear as much as I do.

So I felt it time to remedy that situation, so Pete, here’s a belated review of “Frank” I hope it’s served you well.

 

Pretty much every time I’ve seen Pete perform it’s just been him and a guitar, occasionally with a bass player in tow, so I wasn’t really expecting a band album. Having got over that shock it was time to give the album a really good listen.

The first thing you notice is the songs, without an iota of doubt it’s the poetry and music that highlight Pete as an outstanding writer. It’s the ability to hold your attention when singing about the everyday that separate the good from the great. It’s turning those observations into words and melodies that capture the imagination where genius lies.

 

Joining Pete on the album are a host of Dorset performers, including Frankie Milner, Aimee Newsome-Stone and Monique Houraghan, who have performed Pete’s songs over the years. Hearing the songs like this shows just how well they’ve been written, how they can sound so different and still impact you the same.

 

As Eric Morcombe famously said about notes, ‘I’m getting all the right notes, not necessarily in the right order.’ It’s the same with words, it’s not just what Pete says in his songs, it’s how he says it and more importantly what he doesn’t say.

 

“Frank” can mean straight forward and honest, not holding back. That sums up the album oh yes and the poetry and the melody. This is an album of songs that matter. Pete Christie is a master of Anglicana.

 

FRANK album cover

Neil King

Purbeck Folk Musician

October 13th, 2011

popped culture review of PETE CHRISTIE ALBUM ‘FRANK’

October 7th, 2011

 

Defined by The Troubadour as a ‘powerfully melodic and intelligent, lyrically diverse and thought-provoking singer-songwriter’, great things were to be expected from my first listen of Pete Christie. Thankfully, I wasn’t disappointed. Residing in the Isle of Purbeck near Bournemouth, Christie is a true ambassador of the genres of Folk and Traditional music, writing honest and sincere lyrics which are lost with many of today’s modern singer songwriters.

Ranging from the stripped back beauty of ‘Just a Song’ to the full electric sound of ‘Easy Come, Easy Go’, Christie provides his listeners with a remarkable array of talent across a spectrum of 9 well crafted compositions. Every song features Christie’s signature simplistic guitar playing which lays the foundations for his plain spoken yet powerful lyrics, accompanied by the Band of the Royal British Legion Christchurch and his own backing band.

Inspired by his late mother who suffered from dementia, Christie speaks on his MySpace page of how she addressed him as ‘Frank’ which gave him the inspiration to produce the album. This is, indeed, evident throughout the entirety of the record; the emotion, integrity and sentiment found in each lyric presents his fondness and love for his mother. Certainly, his unique and mature writing style, met with lyrics which hold such depth, present a modern and somewhat ‘cool’ depiction of folk and traditional music; Christie truly is the epitome of what modern folk artists could only aspire to be.

His sincere arrangement of the Bob Dylan classic ‘Not Dark Yet’ clearly shows his sheer versatility as an artist; his individual interpretation illustrates a whole separate musical dimension to him and demonstrates his capabilities as an exceptional guitar player. Despite the open nature of ‘Frank’, the album proves slightly repetitive due to a lack of variety among songs; his pure simplicity, which often works in his favour, creates at times a rather tedious listen and each song is somewhat reminiscent of the last.

Criticisms aside, there is no doubt that Pete Christie has crafted a sheer masterpiece and his latest album proves to be a frank portrayal of an influential era in his life.

Review by popped culture

Isle of Purbeck Folk Musician plays Isle of Purbeck again

August 29th, 2011

After years on the road, touring around London and the Southern UK, it was time to play at home on The Isle of Purbeck again.

So the ideal venue in Purbeck to play is The Bankes Arms Purbeck Beer Festival in Studland. Playing to over 1,000 people at lunchtime is a great feeling. I played a lively set to get the audience going for the day, with the help of Paul Graham on sound.

As Clive Connor says “A Top quaint traditional pub, with great sea views and real ale from its own Isle of Purbeck Micro Brewery

Guest performance – Keiran Halpin – Sunray Folk Club

May 25th, 2011

Keiran has recorded albums in his native Ireland, Scotland, London, Nashville and Sydney.

Halpin is equally at home playing to a small folk club audience and a large festival crowd.

Sunray Folk Club – Every evening is a guest evening! Some of the most superb songs and performances you are likely to witness.

Pete Christie Music on Facebook

Crumplehorn Inn, Polperro, Cornwall

May 13th, 2011

Pete Christie Live @ The Royal Portland Arms

February 17th, 2011

Tim Heywood’s Music Blog – Pete Christie Live @ The Thomas Tripp Christchurch

February 12th, 2011

After a fun Pete Christie music event at The Thomas Tripp, Tim Heywood, one of the hardest working Bournemouth ‘gigster’/ reviewer / Hope FM radio presenter / judge at DUMA / musician / had time to focus on his informative Local Music Scene blog.

(worth reading if you were at a gig, or especially, if you missed a gig)


Mr Christie wows the Tripp

After doing a bit of delivery running around, I land at the gig that I started with. Pete is on form mainly just playing his guitar unaccompanied by the normally ever-present loop pedal.

Even so he is entertaining not just with the songs, but the overall presence – looking around for people to pick on, yet always making himself the butt of the joke, throwing in stories and anecdotes to boot.

I won’t mention some of the outrageous items Pete’s done tonight – those that are also here will know what I’m referring to – however as ever he finishes with an increasingly extended Easy Come Easy Go, using the loop pedal to full multi-voice effect.

If one hasn’t had a chance to experience Mr Christie in one of these up close and personal gigs, please make a point of doing so real soon.

He is playing at Mr Kyps soon, and is totally able to fill that stage with sound and quips, however it is with the close, visible audience that I enjoy Pete the most.

Derrin Nauendorf, Pete Christie, Alex Roberts Live @ Mr Kyps

January 20th, 2011

Photo by Peter Scheibner

3 outstanding acoustic guitarists together on 1 bill

@ Mr Kyps ‘in the round’ Sunday 13 March 2011

Advance: £7.00
Door: £9.00

Great songs. Great guitar techniques. Great night.

Derrin Nauendorf – headline

http://www.derrinnauendorf.com
- power beyond the scope of the instrumental forces involved.

Maverick Magazine – “Just Amazing, A man who deserves to be a major player in the music world.”
Yamaha – “Blistering acoustic roots performer”
Blues Matters – “Simply Spellbinding”

Pete Christie

http://www.petechristie.co.uk
- mesmerising, the epitome of what modern folk artists could only aspire to be.

Alex Roberts

http://alexrobertsmusic.com
- represents all the best aspects of the songwriter’s craft.