Posts Tagged ‘‘The Cellar Bar’’

A rare occasion | Pete Christie Live @ The Cellar Bar

December 31st, 2011

Playing at The Cellar Bar turned out to be a real treat of a night with the launch of 2 new songs, a 3 hour set with great sound engineering by Andy Razz, a great review from Tim Heywood, Livewire Live Hopefm, some loyal fans and some new friends.

 

 

 

Tim Heywood’s Bournemouth Music Blog

Two Sets of An Evening With…

04 DEC 2011

by Tim Heywood in Chaplins & Cellar Bar Tags: Bournemouth, Music, 

My Sunday night started with “An Evening With….Blowing Your Cover” at the church tonight, as we prepare for our launch of this popular church training & equipping course. Afterwards dash over to The Cellar Bar, where Pete Christie is performing. Pete is my favourite performer; I consider him to be one of the absolute best on this circuit. A music session is more like An Evening With…Pete Christie, since the constructed songs are interspersed with both inane banter and insights into Pete’s life.

This starts as I walk in with digs at myself and another notable punter from the scene, before regaling us with a slight on a certain capo from a certain internet supplier. The capo broke 11 months after purchase and he’s heard diddly-squat from the firm. He then splurges into Dancing Diamonds. The next story is 5 minutes about a gig in Swindon, the only kebab shop open there at midnight, and a stool that’s just the right height for him, before he plays a short song from his Skavengers era about trouble, making much use of harmonics on the guitar.

I’ve previously referred to Pete as Magic-Fingered; while there hasn’t been much evidence of this so far, his voice is in fantastic form, as demonstrated by his high wails in staple Lost, which also provides for his first flicker-fingered instrumental break of the night. He next plays his version of Beeswing, which I’ve missed pretty much every other time I’ve seen him play due to walking in late. Its everything I’ve come to expect of Pete’s entertainment, and more…

Along the way, many of his songs are changed and mucked about on the spot; lots of seeming improvisation and spontaneous invention. After one cover he segues into a little instrumental involving the same chord progression, yet thowing in some slide action, even slipping into lap steel mode with the slide for a moment. Good stuff.